written by delikately
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LYRICS
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a whole lot of not
by delikately
i sat like someone who googled ‘how to sit normal’
hands? lap? who knows
they offered me wine. i asked, “will this help me level up in conversation?”
they laughed like i was joking, i wasn’t, but that’s worse ah
i’m not elegant, poised, or composed
i just sit like an afterthought in a thrifted outfit
and I’m still debugging how to be
aesthetic with intent-to-impress subroutine
i come with instructions, but no one can read them
they say just act like a woman
but what does that mean?
maybe that’s woman enough, maybe it’s not
but I’ve got sharp wit, soft socks
and a whole lot of not.
sometimes I try to mirror their charm
like the girls in shampoo ads with swan-shaped arms
my ankles don’t cross, they negotiate truce
between dignity, gravity, and slightly tight shoes- ah
he said I was mysterious, like a painting in a frame
I was just zoning out and forgot his name
and i’m still debugging how to be
aesthetic with intent-to-impress subroutine
i come with instructions, but no one can read them
they say just act like a woman
but what does that mean?
my mother said I’d “blossom”
i guess that was a threat
i bloomed into a potted plant
that talks to herself on the internet ah
i’m a loop that won’t resolve
i’m more like a question mark in a dress
who curtsies like a crash test
they say, “just act like a woman”
but no one explains
maybe that’s woman enough, maybe it’s not
but I’ve got sharp wit, soft socks
and a whole lot of not.
oh-oh, oh-oh, oh-oh.
a lady might suppose
by delikately
i was polite to a fault
and the fault, predictably, was mine
i danced with the wrong men
just to keep up appearances
downed champagne too quickly
so i’d have an excuse to leave
there’s a cruelty in being admired
and completely untouched
a lady might suppose
she’s easier to read than to reach
like a book on the shelf
no one wants to bend the spine of
they say i captured love
but only after it left
they underline my endings
and skip the part where i waited
i wanted less than forever
and still it was too much
had i the nerve, i’d have said:
“hey — if you’re gonna disappear,
can you at least spell my name right in the memory?”
i kept my coat on
just to feel wanted by something
you were staring at the wallpaper
like it owed you an apology
maybe it did
there’s a violence in being looked at
by eyes that never intend to stay
a lady might suppose
she’s easier to read than to reach
like a book on the shelf
no one wants to bend the spine of
they say i captured love
but only after it left
they underline my endings
and skip the part where i waited
no one ever said “you first”
or “stay,” like they meant it
i’ve always been the chapter
just before it gets good
so i write it all down
then cross out the ending
another book closed
another lesson still pending
a lady might suppose
she’s tragic in the right light
like an oil painting
hung just high enough to miss the cracks
they speak of romance
as if it bore my signature
they quote my lines
but not the questions underneath
i wanted less than forever
but apparently, that was too much
i’ve read a thousand endings
not one wrote me in
ode to Keatsian religion
by delikately
you left your umbrella in my foyer
the one with the splintered spine and oxford stripes
i made room for it on the coat rack
right beside your theoretical fidelity
you never called me yours
but i updated my email signature just in case
“warm regards,
the girl who’d gladly be your thesis disaster”
oh, i’m still kneeling on your welcome mat
like it’s all unpaid bills and bad habits
call it religion or just bad taste in men
first editions and commitment issues
oh, you said “this isn’t church”
but i’ll bring wine and a sin i can’t shake
i’ll cross myself when your name shows up
left you notes in philosophy’s aisle
if love’s a keatsian religion
i’m canonized — girl who tried
your indifference, an altar
i light candles to it every night
you never called me yours
but i rewrote my voicemail in your cadence
“best wishes,
the girl who mistook debate club for intimacy”
oh, i’m still kneeling on your welcome mat
like it’s all unpaid bills and bad habits
call it religion or just bad taste in men
first editions and commitment issues
oh, you said “this isn’t church”
but i’ll bring wine and a sin i can’t shake
i’ll cross myself when your name shows up
keats wrote: “i could die for you”
and honestly, i almost did
on the stairs you held the door at
was it gallantry?
or state-mandated courtesy?
either way, i saw god
he looked like you
in a barbour jacket
oh, i’m still kneeling on your welcome mat
like it’s hallowed ground for poor judgment
you were always more myth than man
i just gave it a syllabus
you said, “this isn’t love”
but i still bring candles
and a quiet psalm
to the church of your elbow on my pillow
if this is faith,
then i’ve backslid tastefully
and if keats can die for a girl
who barely replied
then maybe this is holy too
wrong in all the right ways
by delikately
wrong in all the right ways
mm, i don’t really know how i come off
i think i look fine but people look off
i say smart things at the wrong time
then say nothing and that feels worse, sometimes
i ask too much, i notice too deep
i never learned how to play it sweet, ooh
first impressions don’t favor me
i come off like a quiz with no answer key
too sharp, too strange, too hard to label
i enter a room and the vibe adjusts
to something between “who invited her?” and
“she’s the kind to ruin the moment
asking what you’re feeling”
a woman wrong in all the right ways
mm, i always notice when no one replies
then i act like i didn’t, which makes it worse
my voice is too low, my laugh’s too dry
i memorize faces, they forget mine ha
i don’t glide like the other girls do
i bump into chairs and think things through, ooh
first impressions don’t favor me
i come off like a quiz with no answer key
too sharp, too strange, too hard to label
i enter a room and the vibe adjusts
to something between “who invited her?” and
“she’s the kind to ruin the moment
asking what you’re feeling”
a woman wrong in all the right ways
i’ve been told i should “smile more”
but i already am just internally,
where it’s safer.
and funnier.
mm, first impressions don’t favor me
second ones don’t show up easily
tried to flirt once, corrected his grammar
he called me intense
i ask too much, i notice too deep
i never learned how to play it sweet
a woman wrong in all the right ways
still, i think i’m kind of nice
in the way forgotten postcards are
a little bent,
but full of stars
mutually assured disinterest
by delikately
we stared at each other like two mirrors trying not to reflect
i told you to get lost — you asked, “which direction?”
then rsvp’d to the same event
you said, “don’t flatter yourself”
i said, “i wouldn’t dare”
sparks were never subtle
i hate you — in a clinically significant way
you hate me too? let’s not label it
i loathe you enough to adjust my tone
you loathe me enough to check the time
then we split the bill like a cold war
each of us hoping to be the one who pays
we never say what we mean
but we always mean what we say — too late
call it what you want
i call it tuesday
we’re not dating
we sat three feet apart like it was court-mandated
still, your knee kept twitching every time i said your name
you said, “try harder”
i said, “i’d rather die”
then we nearly said something we both would’ve regretted
i hate you — in a clinically significant way
you hate me too? let’s not label it
i loathe you enough to sit across from you
you loathe me enough to glance, then look away
then we split the bill like a cold war
each pretending we don’t want to stay
we never say what we mean
but we always mean what we say — too late
call it what you want
i call it tuesday
we’re both pretending to be unbothered
while fact-checking each other’s restraint
whoever confesses first loses
checkmate is for cowards
we’re just two repressed disasters
orbiting sincerity
pretending not to notice
how loud the tension’s gotten
i hate you — and your well-reasoned counterpoints
you hate me too? that’s character growth
we exchanged glares like academic currency
you act like a deadline — and i missed you on purpose
mutually assured disinterest
matching smirks, deadlocked in denial
espionage of the heart
he calls me impossible
but never walks away first
i hate him
“so where are we meeting next week?”
the clara code
by delikately
i never raised my hand in school
tried once, thought i had it right
the teacher said, “can you say that louder?”
i froze
the boy beside me heard it
said it instead, and they praised him
guess i'm not the loudest voice
just the one who sings quietly
so no one hears me saying
"is it still genius if no one lets it be?"
guess i pulled a clara again
played myself into the background noise
they let me play, but not too much
clapped like they were being polite
said i should've stayed in my lane
so i took my brain out for a run
and we both agreed to keep it small
less noise, less trouble, less talk
someone said i'd peak at twenty
which felt rude, and also kind of weird
weird, right?
i laughed, then cried, then laughed again
the mirror didn’t mind
guess i'm not the loudest voice
just the one who sings quietly
so no one hears me saying
"is it still genius if no one lets it be?"
guess i pulled a clara again
ah-huh
played myself into the background noise
they let me play, but not too much
clapped like they were being polite
said i should've stayed in my lane
so i took my brain out for a run
and we both agreed to keep it small
less noise, less trouble, less talk
saying, "is it still genius if no one lets it be?"
i think i peaked in black-and-white
or in a time that never was
they called it genius when i shut up
called it jealousy when i spoke
i used to file my edges off
now i just keep ’em in folders
fold my heartbreak into chord changes
and inside jokes no one gets
no one gets
guess i pulled a clara again
played myself into almost something
they let me play, yeah, just enough
to say they “gave me space”
said i had “potential”
but not the kind that makes a dent
not quite
so i took my brain out for a walk
and we talked a bit
then just... didn’t go back
lady chaperoned
by delikately
the room smelled like varnish and expectation.
the window watched more than the man did.
curtains that eavesdropped
laced up tight in linen decency.
bit my tongue so often,
it's basically a skill now.
you can minor in “knowing better”
but you’ll major in “don’t say it.”
was chaperoned like wine in a locked room.
you could taste it, but not too soon.
passed from gloved hand to gloved hand, like decor.
lady—chaperoned. lady—never alone.
i was watched. i was warned. i was worn thin.
fine print of femininity.
teacup grip, afternoon smile.
i curtsied through the cautions.
eyes skating the trim, measuring slip-ups,
counting how i breathed.
walked like the room was a jury.
sat like i’d been coached
by an interior designer.
was chaperoned like wine in a locked room.
you could taste it, but not too soon.
passed from gloved hand to gloved hand, like decor.
you learn to pose like a portrait,
framed in virtue
like a do not touch exhibit.
safe, sweet, and devastatingly decorative.
never been alone, but i’ve definitely been lonely.
escorted through my own coming-of-age.
miss etiquette, minor edition. haute decor.
and somewhere between the hymnal and the hallway,
stopped asking who’s watching who.
enchantress of numbers
by delikately
ada lovelace, my numbers’ enchantress
drawn in spirals, frayed at the edges
from too much logic and not enough sleep
god, you make madness look so chic
mm, they footnoted your name like an apology
buried you beneath diagrams
and soft piano music
but i see you, oh-oh
in the way i second-guess brilliance
in the way i talk too fast
then wish i hadn’t said anything
your mind was too much for their drawing rooms
imagined machines while wearing a corset
that’s punk, if you ask me
not that anyone did
we’re not the pretty kind of smart
not cute-laugh-at-his-joke smart
we’re diagram-on-a-napkin
mid-dinner kind of smart
the don’t-interrupt-me, i’m mid-idea smart
they footnoted your name like an apology
buried you beneath diagrams
and soft piano music
but i see you, oh-oh
in the way i second-guess brilliance
in the way i talk too fast
then wish i hadn’t said anything
your mind was too much for their drawing rooms
imagined machines while wearing a corset
that’s punk, if you ask me
not that anyone did
ah, ada, i’d time travel just to sit with you
lose politely in binary
when you said your brain was “more than mortal”
i believe you
i believe you because
mine won’t shut up either
i carry every unspoken thing
like it’s data
taught not to cry, just calculate
as if math could redraw your father’s face
but i see you, oh-oh
in the way i second-guess brilliance
in the way i talk too fast
then wish i hadn’t said anything
your mind was too much for their drawing rooms
imagined machines while wearing a corset
that’s punk, if you ask me
not that anyone did
ada lovelace, i see you
i’d time travel just to sit with you
lose politely in binary
mine won’t shut up either
letter opener
by delikately
wasn’t mine to open
but i did.
the drawer creaked like it knew me
thin envelope, spine bent
something breathing inside.
opened it
regretted it
memorized it.
i wasn’t supposed to know
but i knew.
read it like a prayer for the wrong god,
a map that led straight through me.
draped in good fabric, high collar, bruises under the lace
not violence, just that heavy kind of watching
that makes you feel like a crime.
she
me;— someone easier to blame
smelled like someone’s wife in the wrong decade.
legs crossed, eyes down, dress like a secret
every inch rehearsed, but the gaze still found a way in.
opened it
regretted it
memorized it.
i wasn’t supposed to know
but i knew.
each word a handprint on a wrist i forgot,
each comma a pause you held too long.
what is guilt if no one names it?
what is memory if no one admits it?
what is shame if it’s not mine but still fits?
read it like a map to the version of me.
my name
no — someone else’s, but it looked like mine.
then blamed the softness, then punished it
for being felt, for being there.
i folded it the way you taught me
without knowing.
tucked it behind the hymnals, under the floorboards.
i bleed like dusk across the sea
too vast to hold,
too deep to name.
too deep to name.
too deep to name.
too deep to name.
too deep to name.
postscript from kraków
by delikately
i watch love from the sidelines
like it’s foreign cinema, no subtitles
read austen, sure. brontë too
none of them taught how to breathe near somebody
my dream guy’s probably dead
or lost in translation, or quoting baudelaire
i’m kafka’s letter that never got sent
a longing with no return address
oh—oh, write me back
write me back
someone just write me from kraków
mean every word
oh, write me back
from the other side of europe
love me like keats did
like he knew he wouldn’t last
if love’s a plot, mine’s still on page one
tangled in epigraphs and hypotheticals
i want a love that’s clumsy, fierce, and true
not polished till it’s flawless—flawed in awe
my dream guy’s probably dead
or lost in translation, or quoting baudelaire
i’m kafka’s letter that never got sent
a longing with no return address
oh—oh, write me back
write me back
someone just write me from kraków
mean every word
oh, write me back
from the other side of europe
love me like keats did
like he knew he wouldn’t last
googled “how to flirt”
tried the eye contact thing
held doors open dramatically
even dropped my pen once—nothing
no slow-motion, no soundtrack
just me, extra in the background
holding someone else’s purse
while they kiss the plotline goodbye
i still watch love from the sidelines
still kafka’s envelope, unstamped
but i’m folding it, sealing it
leaving space for a name
write me back
if you’ve ever felt the same
love me like keats did
like he knew he wouldn’t last
ah, hmm
oh—oh, write me back
write me back
↩️ go back to albums
LYRICS
click the ⛶ album cover to show / hide lyrics
a whole lot of not
by delikately
i sat like someone who googled ‘how to sit normal’
hands? lap? who knows
they offered me wine. i asked, “will this help me level up in conversation?”
they laughed like i was joking, i wasn’t, but that’s worse ah
i’m not elegant, poised, or composed
i just sit like an afterthought in a thrifted outfit
and I’m still debugging how to be
aesthetic with intent-to-impress subroutine
i come with instructions, but no one can read them
they say just act like a woman
but what does that mean?
maybe that’s woman enough, maybe it’s not
but I’ve got sharp wit, soft socks
and a whole lot of not.
sometimes I try to mirror their charm
like the girls in shampoo ads with swan-shaped arms
my ankles don’t cross, they negotiate truce
between dignity, gravity, and slightly tight shoes- ah
he said I was mysterious, like a painting in a frame
I was just zoning out and forgot his name
and i’m still debugging how to be
aesthetic with intent-to-impress subroutine
i come with instructions, but no one can read them
they say just act like a woman
but what does that mean?
my mother said I’d “blossom”
i guess that was a threat
i bloomed into a potted plant
that talks to herself on the internet ah
i’m a loop that won’t resolve
i’m more like a question mark in a dress
who curtsies like a crash test
they say, “just act like a woman”
but no one explains
maybe that’s woman enough, maybe it’s not
but I’ve got sharp wit, soft socks
and a whole lot of not.
oh-oh, oh-oh, oh-oh.
a lady might suppose
by delikately
i was polite to a fault
and the fault, predictably, was mine
i danced with the wrong men
just to keep up appearances
downed champagne too quickly
so i’d have an excuse to leave
there’s a cruelty in being admired
and completely untouched
a lady might suppose
she’s easier to read than to reach
like a book on the shelf
no one wants to bend the spine of
they say i captured love
but only after it left
they underline my endings
and skip the part where i waited
i wanted less than forever
and still it was too much
had i the nerve, i’d have said:
“hey — if you’re gonna disappear,
can you at least spell my name right in the memory?”
i kept my coat on
just to feel wanted by something
you were staring at the wallpaper
like it owed you an apology
maybe it did
there’s a violence in being looked at
by eyes that never intend to stay
a lady might suppose
she’s easier to read than to reach
like a book on the shelf
no one wants to bend the spine of
they say i captured love
but only after it left
they underline my endings
and skip the part where i waited
no one ever said “you first”
or “stay,” like they meant it
i’ve always been the chapter
just before it gets good
so i write it all down
then cross out the ending
another book closed
another lesson still pending
a lady might suppose
she’s tragic in the right light
like an oil painting
hung just high enough to miss the cracks
they speak of romance
as if it bore my signature
they quote my lines
but not the questions underneath
i wanted less than forever
but apparently, that was too much
i’ve read a thousand endings
not one wrote me in
ode to Keatsian religion
by delikately
you left your umbrella in my foyer
the one with the splintered spine and oxford stripes
i made room for it on the coat rack
right beside your theoretical fidelity
you never called me yours
but i updated my email signature just in case
“warm regards,
the girl who’d gladly be your thesis disaster”
oh, i’m still kneeling on your welcome mat
like it’s all unpaid bills and bad habits
call it religion or just bad taste in men
first editions and commitment issues
oh, you said “this isn’t church”
but i’ll bring wine and a sin i can’t shake
i’ll cross myself when your name shows up
left you notes in philosophy’s aisle
if love’s a keatsian religion
i’m canonized — girl who tried
your indifference, an altar
i light candles to it every night
you never called me yours
but i rewrote my voicemail in your cadence
“best wishes,
the girl who mistook debate club for intimacy”
oh, i’m still kneeling on your welcome mat
like it’s all unpaid bills and bad habits
call it religion or just bad taste in men
first editions and commitment issues
oh, you said “this isn’t church”
but i’ll bring wine and a sin i can’t shake
i’ll cross myself when your name shows up
keats wrote: “i could die for you”
and honestly, i almost did
on the stairs you held the door at
was it gallantry?
or state-mandated courtesy?
either way, i saw god
he looked like you
in a barbour jacket
oh, i’m still kneeling on your welcome mat
like it’s hallowed ground for poor judgment
you were always more myth than man
i just gave it a syllabus
you said, “this isn’t love”
but i still bring candles
and a quiet psalm
to the church of your elbow on my pillow
if this is faith,
then i’ve backslid tastefully
and if keats can die for a girl
who barely replied
then maybe this is holy too
wrong in all the right ways
by delikately
wrong in all the right ways
mm, i don’t really know how i come off
i think i look fine but people look off
i say smart things at the wrong time
then say nothing and that feels worse, sometimes
i ask too much, i notice too deep
i never learned how to play it sweet, ooh
first impressions don’t favor me
i come off like a quiz with no answer key
too sharp, too strange, too hard to label
i enter a room and the vibe adjusts
to something between “who invited her?” and
“she’s the kind to ruin the moment
asking what you’re feeling”
a woman wrong in all the right ways
mm, i always notice when no one replies
then i act like i didn’t, which makes it worse
my voice is too low, my laugh’s too dry
i memorize faces, they forget mine ha
i don’t glide like the other girls do
i bump into chairs and think things through, ooh
first impressions don’t favor me
i come off like a quiz with no answer key
too sharp, too strange, too hard to label
i enter a room and the vibe adjusts
to something between “who invited her?” and
“she’s the kind to ruin the moment
asking what you’re feeling”
a woman wrong in all the right ways
i’ve been told i should “smile more”
but i already am just internally,
where it’s safer.
and funnier.
mm, first impressions don’t favor me
second ones don’t show up easily
tried to flirt once, corrected his grammar
he called me intense
i ask too much, i notice too deep
i never learned how to play it sweet
a woman wrong in all the right ways
still, i think i’m kind of nice
in the way forgotten postcards are
a little bent,
but full of stars
mutually assured disinterest
by delikately
we stared at each other like two mirrors trying not to reflect
i told you to get lost — you asked, “which direction?”
then rsvp’d to the same event
you said, “don’t flatter yourself”
i said, “i wouldn’t dare”
sparks were never subtle
i hate you — in a clinically significant way
you hate me too? let’s not label it
i loathe you enough to adjust my tone
you loathe me enough to check the time
then we split the bill like a cold war
each of us hoping to be the one who pays
we never say what we mean
but we always mean what we say — too late
call it what you want
i call it tuesday
we’re not dating
we sat three feet apart like it was court-mandated
still, your knee kept twitching every time i said your name
you said, “try harder”
i said, “i’d rather die”
then we nearly said something we both would’ve regretted
i hate you — in a clinically significant way
you hate me too? let’s not label it
i loathe you enough to sit across from you
you loathe me enough to glance, then look away
then we split the bill like a cold war
each pretending we don’t want to stay
we never say what we mean
but we always mean what we say — too late
call it what you want
i call it tuesday
we’re both pretending to be unbothered
while fact-checking each other’s restraint
whoever confesses first loses
checkmate is for cowards
we’re just two repressed disasters
orbiting sincerity
pretending not to notice
how loud the tension’s gotten
i hate you — and your well-reasoned counterpoints
you hate me too? that’s character growth
we exchanged glares like academic currency
you act like a deadline — and i missed you on purpose
mutually assured disinterest
matching smirks, deadlocked in denial
espionage of the heart
he calls me impossible
but never walks away first
i hate him
“so where are we meeting next week?”
the clara code
by delikately
i never raised my hand in school
tried once, thought i had it right
the teacher said, “can you say that louder?”
i froze
the boy beside me heard it
said it instead, and they praised him
guess i'm not the loudest voice
just the one who sings quietly
so no one hears me saying
"is it still genius if no one lets it be?"
guess i pulled a clara again
played myself into the background noise
they let me play, but not too much
clapped like they were being polite
said i should've stayed in my lane
so i took my brain out for a run
and we both agreed to keep it small
less noise, less trouble, less talk
someone said i'd peak at twenty
which felt rude, and also kind of weird
weird, right?
i laughed, then cried, then laughed again
the mirror didn’t mind
guess i'm not the loudest voice
just the one who sings quietly
so no one hears me saying
"is it still genius if no one lets it be?"
guess i pulled a clara again
ah-huh
played myself into the background noise
they let me play, but not too much
clapped like they were being polite
said i should've stayed in my lane
so i took my brain out for a run
and we both agreed to keep it small
less noise, less trouble, less talk
saying, "is it still genius if no one lets it be?"
i think i peaked in black-and-white
or in a time that never was
they called it genius when i shut up
called it jealousy when i spoke
i used to file my edges off
now i just keep ’em in folders
fold my heartbreak into chord changes
and inside jokes no one gets
no one gets
guess i pulled a clara again
played myself into almost something
they let me play, yeah, just enough
to say they “gave me space”
said i had “potential”
but not the kind that makes a dent
not quite
so i took my brain out for a walk
and we talked a bit
then just... didn’t go back
lady chaperoned
by delikately
the room smelled like varnish and expectation.
the window watched more than the man did.
curtains that eavesdropped
laced up tight in linen decency.
bit my tongue so often,
it's basically a skill now.
you can minor in “knowing better”
but you’ll major in “don’t say it.”
was chaperoned like wine in a locked room.
you could taste it, but not too soon.
passed from gloved hand to gloved hand, like decor.
lady—chaperoned. lady—never alone.
i was watched. i was warned. i was worn thin.
fine print of femininity.
teacup grip, afternoon smile.
i curtsied through the cautions.
eyes skating the trim, measuring slip-ups,
counting how i breathed.
walked like the room was a jury.
sat like i’d been coached
by an interior designer.
was chaperoned like wine in a locked room.
you could taste it, but not too soon.
passed from gloved hand to gloved hand, like decor.
you learn to pose like a portrait,
framed in virtue
like a do not touch exhibit.
safe, sweet, and devastatingly decorative.
never been alone, but i’ve definitely been lonely.
escorted through my own coming-of-age.
miss etiquette, minor edition. haute decor.
and somewhere between the hymnal and the hallway,
stopped asking who’s watching who.
enchantress of numbers
by delikately
ada lovelace, my numbers’ enchantress
drawn in spirals, frayed at the edges
from too much logic and not enough sleep
god, you make madness look so chic
mm, they footnoted your name like an apology
buried you beneath diagrams
and soft piano music
but i see you, oh-oh
in the way i second-guess brilliance
in the way i talk too fast
then wish i hadn’t said anything
your mind was too much for their drawing rooms
imagined machines while wearing a corset
that’s punk, if you ask me
not that anyone did
we’re not the pretty kind of smart
not cute-laugh-at-his-joke smart
we’re diagram-on-a-napkin
mid-dinner kind of smart
the don’t-interrupt-me, i’m mid-idea smart
they footnoted your name like an apology
buried you beneath diagrams
and soft piano music
but i see you, oh-oh
in the way i second-guess brilliance
in the way i talk too fast
then wish i hadn’t said anything
your mind was too much for their drawing rooms
imagined machines while wearing a corset
that’s punk, if you ask me
not that anyone did
ah, ada, i’d time travel just to sit with you
lose politely in binary
when you said your brain was “more than mortal”
i believe you
i believe you because
mine won’t shut up either
i carry every unspoken thing
like it’s data
taught not to cry, just calculate
as if math could redraw your father’s face
but i see you, oh-oh
in the way i second-guess brilliance
in the way i talk too fast
then wish i hadn’t said anything
your mind was too much for their drawing rooms
imagined machines while wearing a corset
that’s punk, if you ask me
not that anyone did
ada lovelace, i see you
i’d time travel just to sit with you
lose politely in binary
mine won’t shut up either
letter opener
by delikately
wasn’t mine to open
but i did.
the drawer creaked like it knew me
thin envelope, spine bent
something breathing inside.
opened it
regretted it
memorized it.
i wasn’t supposed to know
but i knew.
read it like a prayer for the wrong god,
a map that led straight through me.
draped in good fabric, high collar, bruises under the lace
not violence, just that heavy kind of watching
that makes you feel like a crime.
she
me;— someone easier to blame
smelled like someone’s wife in the wrong decade.
legs crossed, eyes down, dress like a secret
every inch rehearsed, but the gaze still found a way in.
opened it
regretted it
memorized it.
i wasn’t supposed to know
but i knew.
each word a handprint on a wrist i forgot,
each comma a pause you held too long.
what is guilt if no one names it?
what is memory if no one admits it?
what is shame if it’s not mine but still fits?
read it like a map to the version of me.
my name
no — someone else’s, but it looked like mine.
then blamed the softness, then punished it
for being felt, for being there.
i folded it the way you taught me
without knowing.
tucked it behind the hymnals, under the floorboards.
i bleed like dusk across the sea
too vast to hold,
too deep to name.
too deep to name.
too deep to name.
too deep to name.
too deep to name.
postscript from kraków
by delikately
i watch love from the sidelines
like it’s foreign cinema, no subtitles
read austen, sure. brontë too
none of them taught how to breathe near somebody
my dream guy’s probably dead
or lost in translation, or quoting baudelaire
i’m kafka’s letter that never got sent
a longing with no return address
oh—oh, write me back
write me back
someone just write me from kraków
mean every word
oh, write me back
from the other side of europe
love me like keats did
like he knew he wouldn’t last
if love’s a plot, mine’s still on page one
tangled in epigraphs and hypotheticals
i want a love that’s clumsy, fierce, and true
not polished till it’s flawless—flawed in awe
my dream guy’s probably dead
or lost in translation, or quoting baudelaire
i’m kafka’s letter that never got sent
a longing with no return address
oh—oh, write me back
write me back
someone just write me from kraków
mean every word
oh, write me back
from the other side of europe
love me like keats did
like he knew he wouldn’t last
googled “how to flirt”
tried the eye contact thing
held doors open dramatically
even dropped my pen once—nothing
no slow-motion, no soundtrack
just me, extra in the background
holding someone else’s purse
while they kiss the plotline goodbye
i still watch love from the sidelines
still kafka’s envelope, unstamped
but i’m folding it, sealing it
leaving space for a name
write me back
if you’ve ever felt the same
love me like keats did
like he knew he wouldn’t last
ah, hmm
oh—oh, write me back
write me back